Once more a handy tool to quickly generate SVG graphics. This time to create SVGs to be used as background for example. By Gabriel Perales and Michael Andreuzza
Andrew Wilshere explains what red and green colorblindness is, how it affects him and how to find solutions for your websites to make it more accessible for people with “deuteranopia”.
This tutorial is meant to be accessible to developers of all experience levels. It can be thought of as “CSS transitions 101”. That said, I’ve sprinkled in some interesting and obscure tidbits — no matter your experience level, I bet you’ll learn something!
What I really like with this guide is, how many examples it holds to see and understand the things josh is explaining. Very nice.
Alfred 4.5 brings a new Powerpack feature; Universal Actions. Take any text, URLs or files and perform actions on them from anywhere within Alfred or on your Mac using your Universal Action hotkey.
Right now it is still in beta, but you can install this beta to test it, if you like. Simply follow the link …
I Love Typography, known for it’s great blog about type related topics, now has a shop as well. On Twitter they stated they launched with 40 foundries and 7000 fonts. Plus some of the world’s best designers are launching 15 new typefaces with them to celebrate the opening.
⇾ Visit: I Love Typography – Now With Shop
Sans Bullshit Sans is an experimental font using the power of ligatures to turn bullshit language into bullshit images.
Mark Boulton just re-tweeted a tweet about it and I love it!
⇾ Visit: Sans Bullshit Sans
This is so nerdy and I love it. Eno created a website on which you can find a lot of the interior, glassware, and so on from all Star Trek series with Info of who designed it and what its original name is.
Star Trek + Design began as a personal quarantine project in March of 2020, a little over a year since buying my first Bodum Bistro (Picard Cup) set. I’d just been laid off from my job due to the pandemic, and found myself spending far more time watching Star Trek than I had when I was employed. Being drawn to the aesthetics of Trek, especially of The Next Generation, made me curious about the specific objects that set designers used to create the visual embodiment of what living and working on a starship would look like in a technologically-advanced, post-scarcity future.
⇾ Visit: Star Trek Design