A great and good collection of Record Label Logos. I am a sucker for collections and websites like this (see the Purveyors of Packaging).
Thanks to Reagan Ray for finding, collecting and sorting them.
Oh and btw: it is worth checking out the other logo collections on his website as well ;)
Hey @_austrian Airlines, really? When I want to unsubscribe? What could possibly go wrong since four weeks of trying to unsubscribe and how aren’t you able to fix this?
Matej Latin has written up a nice text about the state of “fluid web typography”, not only showing what is possible, but also pros and cons of each technology.
⇾ Visit: The State of Fluid Web Typography
Sara Soueidan is showing us how to make icon buttons accessible.
⇾ Visit: Accessible Icon Buttons
We are in the lucky and privileged position to add our bit to shape the, no, our future. Don’t miss this opportunity.
VOTE!
Look what I got today. FECK PERFUCTION by my friend James Victore! In my mailbox. Yay! ;) ❤️
Since Sebastiaan Andeweg announced not to have any time anymore to maintain the Kirby webmentions plugin he created, I am happy to have seen, that Sebastian Greger is working on a Sendmentions plugin as well as a webmention enabled commenting system. Time to upgrade to Kirby 3 anyways ;)
⇾ Visit: This Looks Like a Promising Webmentions Plugin for Kirby 3
A few days ago I met with Ole and Louisa from The Dorf for a nice conversation about my little beyond tellerrand event in and in front of the Capitol Theater. Thanks to both of them for the lovely chat. And man, I know how to look good on photos! 😂
I also use the ATEM Television Studio HD for my stage setup. I always am thinking about how to enhance it to also being able to record the whole show. I guess I have to speak to Aaron Parecki and see how he setups up his stuff. Not sure, if I’d manage to use my gear on stage and simultaneously record an event, but let’s find out.
Anyways, Aaron recorded a lovely little video of how he is setting up at an event with many useful insights. A bit of information overload for me, to be honest, but lovely to watch (I guess I have to re-watch, as soon as I am done with beyond tellerrand in Düsseldorf). Nice addition to this is the explanation of his workflow, cutting the videos onsite to more or less directly publish them on YouTube (or Vimeo).
In addition to this video, I’d love to see the following information:
Maybe Aaron already has prepared something like this and I only have to search on his website ;)